INDIAN FANTAIL
STANDARD OF PERFECTION
Indian Fantail Club of America
Approved September 2010

Standard, Save to Enlarge.
Standard Photo, Click on Photo to Enlarge

 

    This Standard is to be used as a guide for both breeding and judging the Indian Fantail. With the Indian we speak of “Balance”being all important. Yet no points are allocated to Balance. So, what is it? Put simply: Balance is the pleasing blending of all parts so that when looked upon, the bird appears complete, as a whole … not visually dominated by an overly large (or small) tail, muffs too long (or short), stance is correct, not tipped too high, nor too forward, nor crouched, nor stretched, etc. The pieces and parts blend well.   The stance, body, head, neck, chest, back, tail, muffs, wings … everything is in its proper proportion; the end result is an attractive package --- a balanced bird!

A pleasingly-balanced Indian Fantail is our desired goal.

Points

1.    Tail                                                20

2.    Stance                                           20

3.    Legs, Muffs& Hocks                   10

4.    Breast, Neck & Frontal                10

5.    Back                                               5

6.    Head/Eyes                                      5

7.    Crest                                               5

8.    Wings &Flights                              5

9.    Feathering                                      5

10.  Condition                                        5

11.  Color                                               5

12.  Body Size                                        5

                                                           100

DESCRIPTIONS

1. TAIL – 20 PTS

     The ideal tail should be full, (not gappy or weak), round, held nicely upright and wrap to about a ¾+ circle, and should allow the flights to fit comfortably under the tail so the tips are not pushed to the ground. The tail should not be overly flat, nor too scooped (coned), but have a pleasant, slightly concave shape, similar to a saucer.  The tail is to be carried upright, tilted slightly away from the bird’s head.                

     A double-row of feathers is preferred. When properly arranged for show, an even-layering of feathers results, one tucked under the previous feather, similar to “layered shingles.” The feathers should lie flat, be wide and hard in texture (preferred), and align nicely --not twisted, no gaps between the length of the feathers.

    The tail is to have no “split” (determined at the base of the tail feathers; a split shows the base of the feather shafts are noticeably separated. (Note: Weak centers, gaps at the tips, Improper grooming, a curved shaft, or poor layering of the tail are not to be confused with a split.)

    The backing, or cushion feathers, are to be upright, proportionately wide, not crooked, fitting tightly against the tail and centered. The tail should not angle, tilt or tip to one side. The judge is to use discretion here, and should move such a bird down in ranking. Both tail and cushion feathers are to be upright and centered.               

                Faults:
(Note: with all Faults in all categories, only points are to be deducted; a Fault is not a DQ.)

            1.   A flat tail, or too coned tail (continued ►)

               
(Tail Faults cont.)

                2.  Wrap not reaching at least half-way

                3.  Twisted, broken, crooked, missing feathers, or small V-gaps between (at the tips) ---weak center.

                4.  Bottom tail feathers dragging the ground. 

                5.  Overly loose, or crooked cushion feathers or tail.

                6.  A disproportionate, unbalanced, excessive top-tail, or too short a tail for balance..

                7. Overly soft tail feathers, difficult to arrange

 

2. STANCE – 20 PTS

     Without proper stance, we have no truly-unique Indian Fantail. Other breeds have fanned tails, or partial fantails. But the combination of a beautiful, open, large tail, and the stance, give the “impression of levelness,”…and with an upright neck…create a unique look. Proper stance allows the pieces-and-parts of our Indian to fall into harmonious Balance.

     Proper stance is achieved when the bird is not nervous, nor crouching, nor stretched upward, but is comfortable and standing solidly on its feet, not tip-toed. The body carriage will give the general impression of “levelness.” There will be a graceful, slight tilting up of the breast. 

      The tail should be carried upright, at a slight angle away from the head. The desired distance from the back of the head to the tail is an approximate head’s length (the beak not included). Further, the top of the bird’s head will reach about halfway up the tail (thus allowing “top tail” that is about equal to the length of the bird’s neck/head, when properly stationed). 

      The carriage of the neck is to give the impression it is vertical to the ground, not overly pulled back, thus allowing the eyes to be over the tips of the covered toes.

     There should be “air” under the bird’s belly to demonstrate proper leg length, not crouching or appearing so low we do not see space under the bird (see Drawing):

                Faults:

            1.  Tail too tight to the head, or tilted too far back; an “umbrella tail” is the worst of the two faults.                                                  

             2.  Carrying breast too high, or crouching forward, or no clearance under the bird.

             3.  Head pulled back too far, into an “S” curve, resulting in eyes not over tips of toes.     

 

3.  LEGS, MUFFS & HOCKS – 10 PTS

       The legs are medium in length, allowing the bird’s body to be elevated off the ground, giving visual clearance under the bird’s belly, but should not appear ‘stretched’ upward. By contrast, the bird should not appear to be sitting on the ground, or low-crouching. Legs are to be solidly placed, feet flat on the ground, not up on the toes.  (The ideal length from under the breast, in front of leg shaft, “about” 1” – 1 ½”” off the ground, and a wider leg position under the body is preferred; see Drawing).

       The muffs are to be in proportion to the overall bird, providing an appearance of a “foundation” under the bird (see the Standard Drawing for approximate, visual length and  the shape: a “rounded,” sweeping-back curve). The hocks are to approximate the length of the muffs…the hocks blending up into the bird’s body.  Muffs are to cover all toes.          

                Faults: Legs/Muffs/Hocks     

                  1.  Muffs not covering the toes.►

                 (Faults: Legs/Muffs/Hocks continued)

                2.  Muffs excessively long, or too short, or “grouse-leg” in feather covering.

                3.  Legs so short, no ground clearance, or legs so long it appears “leggy.”

 

4. BREAST, NECK & FRONTAL – 10 PTS

     The breast, neck and overall “frontal” area of the bird, is to be very full, wide, and thick in appearance, giving the impression of power!  The shape of the breast is to be full, broad, round and even. The neck is to be medium in length, and full (but not so full it eliminates the back space), and the head and neck carried proudly vertical to the ground, not tucked down, pulled back, or stretched long. Breast feathering should smoothly cover thewing butts.

                Faults:

                1.  Breast flat in front, not nicely rounded and full.

                2.  Neck shaking (one or two shakes when put first in the show cage is not the                                                Fault, but frequent, nervous shaking).

                3.  Neck overly long, or appearance of “no neck”       

                4.  An excessively sharp, pronounced keel bone indicating lack of breast muscle.

 

5. BACK – 5 PTS

     The “back” is defined as the area from the base of the neck to the beginning of the rise of the tail, show some spacing.  Our Indian Fantail is to visually have three parts: a front, middle, and a tail. The “middle” is defined by being able to see a bit of the ‘back’.  A “short-back” bird is too tight, the base of the neck and rump join together, or tail too tight to the head; a “long-back” bird shows too much spacing along the back area, tail dropped or tilted too far back. The “medium-backed” bird looks like our Drawing, the back sweeping up: Just right!

                Faults:

                1.  No back space, or too long in the back   

 

6. HEAD/EYES/BEAK – 5 PTS

     The head is to be in pleasing proportion to the bird, with a rounded front skull (not pinched). The head will be greater in length, than width (not a “round” head). In all instances the eyes are to be both the same color, appear alert, and showing no splits or cracks in the pupil or iris. The eye cere and nose wattle are to be refined, not coarse, and proportioned to the bird’s overall head. Darker birds, dark beak; lighter, light beak.

            Faults:

                1.  A pinched, narrow forehead/face.

                2.  Head too small, or too large to body proportion.

 

7.  CREST – 5PTS

      The crest and its position on the Indian’s head are essential to giving the Indian a unique, refined appearance, and is a finishing point for the head, hence, its importance. The strongly preferred crest is a small, peak crest, coming to a sharp point. Acceptable is a small shell crest, cupped slightly in the center. The crest should be basically in alignment with the beak-eye line, at the top-back of the head (see Drawing).

                Faults:

               1.  Positioned too low; crooked, or to one side.

               2.  Rough, ragged looking crest, loose or looking more like a mane, or too large of a shell shape.

 

8.  Wings & Flights – 5 PTS

     The butt of the wings should not be apparent, but blend harmoniously into the feathering of the breast.  The wings and flights are to be carried in line with the body, to support the impression of “levelness.” The flights are to be carried under the tail, and not to touch the ground. They are to be medium length.

                Faults:

                1.  Wing butts showing excessively.

                2.  Flights too long (out of balance) .                              

                3.  Flight tips touching the ground.

                4.  Missing or broken flights

 

9. FEATHERING – 5 PTS

      An Indian Fantail’s feather is to be hard-to-medium in texture, and lie smoothly. Not a soft-feathered fluff-ball. Hard feathering is preferred, especially in the tail.       

                Faults :

                1. Overly soft, loose, fluffy feathering.             .

10. CONDITION – 5 PTS

      Proper conditioning (or not) is a combination of things: cleanliness, grooming, the bird not finished with  the molt, health, parasites (or not), etc. A bird should be alert, healthy, well groomed, clean and free of visible parasites. Also, signs of parasites (holes) should be at an absolute minimum, preferred is none at all.

                Faults:

                1.  Dirty, or poorly groomed

                2.  Still molting with missing, broken, or crooked feathers.

                3.  Excessive signs of parasites, or excessive holes.

 

11. COLOR – 5 PTS

     Rich, clean, vibrant color in any breed is wonderful to see and enjoy. Points are to be allocated according to the level of success the breeder has achieved in a particular color, or use of a color modifier (milky, rec red, dirty, almond, etc).  Birds that are too dark, or too faint, or oddly-colored, but still recognizable to a specific color, or modifier, are to be shown with that Color Class.

     With a solid, “self” colored bird, if random pied feathers are found, this is not part of “Markings” but an incorrectly colored bird, and the judge will deduct Color points, according to the severity of the random, pied feathering.

     Colors are to be rich and lustrous with both intense and dilute colored birds, according to the color or color modifiers being expressed. Example: a rich, shiny, iridescent Black is preferred over a “slate gray,” unimproved Black.  A clean wing shield on a barred or checked bird is preferred over a sooty (fake check) wing shield. A rich, “almond-nut” base color is preferred over a lighter color base in the “classic” Almond, etc.

                Faults:

                1.  Weak, unclean, or not rich coloring for the color or pattern modifier that is being expressed.

                2.  Random pied feathers in a Self (solid colored) bird.             

                Note: In judging classes, AOC (Any Other Color) does not mean a Mismarked bird class. It is a class intended to hold those birds where only one, or two, have been entered, and have no other competition. The Show Secretary and District Director will determine those few birds and move them to AOC, to create a class holding such few colors, or marks to create competition, or their own class. Yes, a “mismarked” bird, unidentifiable as to mark, may also end up in AOC.

12.  BODY SIZE– 5 PTS

      The IFCA Founding Fathers spent much time debating the  desired “size” of the Indian Fantail.  They wisely put under Size, a weight guideline, encouraging us not to loose or forget about the importance of body in good breeding.A solid, firm, well bred body is an achievement, and so is maintaining our bird’s weight, keeping it all in proportion.  

     As a guide, we are looking at about 16-20ounces. We are not to use scales during judging. But breeders should periodically use them in their own breeding program. Judges should familiarize themselves with how a bird feels in the hand at certain weights (Size). The body should feel solid and firm to the hand, well bred, and healthy.        

    Visual “size” is not what we are going for. Too big of a tail, or a too-loosely feathered bird (thereby larger-appearing), is not our objective. Solid, superior bodies and breeding toward Balance is our goal

                 A balanced 16 oz bird may have every bit as much a chance to win Champion, as a balanced 20 oz Indian, as there are other factors to be considered in choosing one bird over another. The only difference will be discussed under the unusual circumstances needing “Tie-Breakers” in judging..    

                Faults:

                1.  Excessively small or large in body Size


DISQUALIFICATIONS

                The judge is to use common sense, and discretion before DQing a bird. Always remember you may be DQing a first-time exhibitor’s, or a Junior’s bird, therefore do so compassionately and with adequate explanation:

1.  A split in the tail --- the shafts will be apart at the base. (Note: Two feathers side-by-side that have crooked shafts and V- apart, or otherwise “gap” is not a true split, but should be governed under Faults [gaps/weak center, etc].)

2.  Intentional lacing of the tail (judges are to use common sense here; e.g., if a few feathers are interlocked, flick them apart and proceed; if a tail is obviously laced, wholly or in part, in an orderly fashion, it is a DQ).

3.  Significantly crooked or canted tail, or cushion feathers.

4.   Eyes not of the same color, cracks or splits

5.  No crest.

6.  Cut feathers, or excessive plucking.

7.  Any sick, crippled, maimed, or filthy bird.

8.  Excessive signs of/or seeing excessive parasites.

 

TIE-BREAKERS USED IN JUDGING

     Those who have not yet judged a show may not fully appreciate the difficulty, at times, in determining which of two pigeons the better is. At times, they may be terribly, terribly close overall in cumulative points (they do not have to be “identical” or “visually equal” to end up with the same sum of points). At other times, a judge may have two birds in a class that are very average, and still end up with basically identical total points… yet they are the best of the grouping. So the judge has to then make some determinations and use a

tie-breaking system beyond the points.

     The next area explains the guide for the judge to use, which goes beyond the point system. These following three tie-breakers (A, B, C) are listed in order of importance. ►

 

TIE-BREAKERS -- In Order of Importance

For Classes & Champion Row

A. MARKED Class: 1-5 Extra points may be allocated to the marked birds according to the level of perfection in the marking. Hence, the best marked bird in a class will have an edge; however,Balance is to be the over-riding factor. A perfectly-marked bird with an inferior tail may not win its class, etc. The judge is to use common sense here.

                If a solid self, or self-patterned bird, and a marked bird are in a Champion Row show down, and the birds are very, very close (the points being different per body part, but in the judge’s mind, sum to about the same total), the judge, recognizing the difficulty in the breeding achievement of a superior marking, is to give preference to the Marked bird.

B. COLOR: If two birds (whether Self, or Marked) are very, very close, points being different per body part, but in the judge’s mind, sum to a same total, the judge, recognizing  the breeding difficulty in the achievement of superior color, is to give preference to the superior-colored bird.

C. SIZE:  In that rarest of occasions a judge is faced with two birds of superior quality in Balance, Color and Markings, the judge may then determine which bird has an edge in breeding excellence; recognizing the difficulty in achieving outward Balance, plus  maintaining, and  achieving Size, preference is to be given the larger-bodied bird, how it feels in the hand.

                (Note: during the Class judging, the judge will have determined if a bird is excessive in weight (over or under) to the Standard guideline, and will have placed the bird accordingly. Excessively large or small should not win its Class; therefore, we should not         be faced with our      birds getting ever larger and larger (or too small) as a consequence.                   

 

(*MARKINGS: defined)

           Birds that are mismarked, but still recognizable to the Mark (say, a Saddle, or Tailmark) must be shown with that Mark, not in AOC [Any Other Color]).

      With a solid, “self” colored bird, if pied feathers are found, this is not part of “Markings” but is a discolored bird (say, a Black with white in muffs, or rump, etc).

      Markings are defined where a breeder isolates color to a specific area (or areas) of the bird to create a unique, “not-natural” marking; e.g., Saddles; Tailmarks; Bodymarks; Monk Marks, etc.

    Natural “Patterns,” as in wing and tail bar, checking, t-pattern, grizzle, almond, and natural, light-gray ribbons occurring in Ash Reds… are not Markings.  Patterns are natural, inherent evolutions within pigeons, and are not breeder-caused, per se; e.g., bars and checkers show up naturally in wild pigeons; saddles do not.  A light-gray Ribbon is a natural pattern in the Ash Red family, as is a “white” ribbon in some Dominant Opals.

     Tiger Grizzle: The natural feather patterning of white and colored body feathers, with a solid colored tail, found in Tiger Grizzles, is not a Marking. It is a natural, self-reoccurring “pattern” which the breeder did not create; however, Color does come into play with Tiger Grizzle.  (Tiger’s in some breeds are referred to as Mottles, and Splashes, such as Trumpeters, as one example.)


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Indian Fantail Club of America
Ardy Prekker
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Pigeonprekker@hotmail.com
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